Weave Structures: Totally Twill – Beyond The Basics
Tuesday, February 4, 2025, 7:30pm
Zoom
Taught by Robyn Spady
Program Overview
About the Artist
In 2001, changes in my life provided me the opportunity to dedicate myself to weaving fulltime. One of the earliest undertakings, that has had a huge impact on my life and my weaving, was tackling the Handweavers Guild of America’s (HGA) Certificate of Excellence in Handweaving (COE-W). In October 2002, I successfully completed the Level 1: Technical Skills in Handweaving. In October 2004, I successfully completed Level II: Master in Handweaving with the specialized study Loom-controlled Stitched Double Cloth.
I am fascinated by the infinite possibilities of crossing threads and love coming up with new ideas to create fabric and transform it into something that has never existed before. My intrigue with stitched double cloth encouraged me to explore the many ways to weave double-faced fabrics as a way to create versatile fabrics that are reversible, self-lined, etc. In addition to double-faced fabrics, I love to discover uncommon and unusual weave structures, especially if they can be woven on only four-shafts. Recently, I’ve also been studying how elaborate trims can be woven on narrow warp weaves.
In 2016 I launched Heddlecraft®, a digital magazine for handweavers. I believed there was a void in educational resources for the intermediate-to-advanced weaver (and adventure-seeking beginners).
For many of us, weaving is a type of circle of life. The loom my great-grandmother used to weave my baby blanket on over 50 years ago is in use on a daily basis helping me transfer my inspirations into new fabrics and inspiring new generations of weavers.
Artist’s website: Spady Studios
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